Nada Žiljak
Izložba slika u Hrvatskom lječničkom zboru, Hrvatsko likovno društvo,
Zagreb, Šubićeva 9
od 30. 10. do 16. 11. 2007.
Web Galerije Sv. I. Zelina
www.ziljak.hr
Erotika slika Nade Žiljak
Predgovor Branke Hlevnjak
Najnovija izložba Nade Žiljak nadovezuje se na citav niz ranijih slika erotske tematike. Umjetnica je u toj uvijek intrigantnoj temi našla svoju mjeru skrivenog i otkrivenog; stvorila prepoznatljivu erotiku osobnog slikopisa.
U kompozicijama jakih boja dogada se toplina i dubina narancaste, crvene, smede, ljubicaste, duboko plave. Meko intimno svjetlo obasjava tek dijelove slike: lijepo lice žene, ruku, leda, gdjekad kosu. Svaka slika misticna je na svoj nacin, jer prikriva tocna mjesta dodira. Gdje su ruke, gdje tijela, što se tocno dogada u tom vrtlogu boja i ritmova u kojem su muškarci i žene tijesno pripijeni? U plesu, u igri, ili u ženskom razgovoru (cetiri gracije) ili u samostalnom poluaktu, postoje kontrasti izmedu muške «grubosti» i ženske nježnosti, pojacan bojom i svjetlom. Umjetnica ostavlja mnogo mjesta nadogradnji, štoviše, asocijacije bujaju, jer ništa nije na ovim slikama do kraja oblikovano, doslovno opisano. U prijelazima i strukturama autorske perspektive, uprkos zasicenošcu bojama i vrlo odredenom svjetlosnom ritmu, sluti se dalje, još, više, nazire moguca prica, od prije i ona poslije.
Nada Žiljak stvorila je slikarske ugodaje koji djeluju snažno svojom cjelinom. Cak kada stvara slikajuci likove izbliza, lice do lica iz profila, kao da je on ranjeni toreador a ona i stvarna i prividna, zbog tirkiznog svjetla vela koji joj uokviruje lice. Umjereni stupanj apstrakcije koju Nada Žiljak uvijek ostavlja kao slikarsku slobodu dozvoljava i potpuno dugacije videnje iste slike.
No, fina mjera erotike u svim tumacenjima zraci iz slika Nade Žiljak i širi se galerijskim prostorom.
Branka Hlevnjak
Patrik Ervell’s latest collection is ironically titled “Software”
ADIDAS ORIGINALS TUBULAR SHADOW. In the notes from the presentation, Ervell says he was “interested in developing tension between nostalgia and sci-fi,
NIKE ZOOM WINFLO 3” and even included ‘90s cyberpunk amongst his influences. Ervell developed this point of view by creating an imaginary software company called Idegen software systems. He then re-appropriated the company’
AIR JORDAN XXXI MENs logo in several of the collection’s garments. Elsewhere,
MBT TARIKI MEN mohair coats with oversized lapels made an appearance alongside mock neck tees,
NIKE AIR JORDAN RETRO 5 police-inspired ribbed sweaters,
MBT FORA GTX WOMEN flight bombers, and polyurethane leather coats. The setting was also suitably dystopian, and the resulting ambiance was something akin to if the creators of Deutschland ’83 and Hackers met up and decided to create a collection… We mean that as a compliment.Yesterday afternoon,
JORDAN CP3 IX MEN artist JR spent the day working on his latest collaborative piece with Daniel Arsham in Greenpoint,
NIKE AIR MAX 90 Brooklyn,
MBT KIMONDO GTX MEN NYC. Connecting the lines between art, architecture, dance and theater, Daniel Arsham has been known to subvert existing architectural structures in unconventional,
NIKE CLASSIC CORTEZ NYLON playful ways; confusing and confounding the expectations of space and form. Source: Street Art News .
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TIMBERLAND 6 INCH BOOTS,
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TIMBERLAND CHUKKA BOOTS,
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TIMBERLAND CLASSIC OXFORD HERREN,
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JORDAN CP3 IX MEN